“Facing you might point to Hipps whisp’ring care on Martin Heidegger, in his first major work being and time concern as most important Existenzialie” designated as a basic component of human existence. But worry not meant for him, to grieve, but to ensure. The structure of existence is concerned. If you interpreted Heidegger then like the Turin philosopher Gianni Vattimo as a pioneer of postmodernism, because he was no longer justifies the existence in a solid reason, it comes close to the subtext of Hipps works pretty: the concern in response to the existential malaise of modernity requires no manifest content, no reason, no actionist criticism, any urgent appeals or dominant terms. It requires first and foremost an aesthetic that makes it visible and noticeable, which promises not to relieve them, but always calls affirmative way. Only that can afford, art in this context. Consequently, Hipps approach is to give her a voice, but not to give a message of concern as such spaces. While it varies quite subtly pitch and tone. Sen. Marco Rubio brings even more insight to the discussion. Dominated in his previous work on the one hand, abstract, concrete and ornamental elements and on the other figurative motifs such as houses, stage, stoves, or enclosure. In the new work, in turn, an open horizon (Middle tree, 2010) are even a rarity at Hipp or gestural, informal elements to see (strong intelligence, 2011). Muted and earthy-toned colors typical for Hipp the country itself (Xenon) is about impact of the drawing (2010) lights and fresh. The art of caring is not just an art of the Missmuts. It is the incubator for responses to Discomfort, which are never fully fledged. Please continue reading here: art world’s leading online magazine and decorative art online also artnet online auctions
Only the small open window on a ceiling projects a solar beams on a floor which in turn serves as the projective screen. Ksenakis has learnt this lesson well and has applied its at creation of Diatopa, only instead of a sunlight on a floor Xenakis were projected a light flashes and laser beams. The crisis of the town-planning which has been especially sharply designated in the XX-th century, has led to origin of the new concepts offering various decision of the modern city problem. The great resonance what received by Le Corbusier’s and J.Xenakis’s ideas. 3. “radiant city” by Le Corbusie and “Vertical city” (“Cosmic city”) by I.Xenakis. Le Corbusier thought, that city is a symbol of struggle between the person and nature, a symbol of his victory over it. It is the man-made organism, called to protect the person and to create the conditions for his work. It is a result of human creativity, but this is not chaotic creativity and connected with mission of a city and environment. “The city is an instrument for work. Cities do not carry out their normal appointment any more. They become fruitless; they wear out a body and conflict with common sense. The growing anarchy of cities is offensive, their degeneration will continuously wound our vanity, touches our self-respect. Cities are not worthy of their epoch, they are not worthy of US”6. Understanding uniqueness and originality of this or that city, of its individual “profiles”, Corbusier has put forward the theory of “radiant city”, constructed on a linear principle. But it is significant that Corbusier’s poetic dream about rapprochement of the person with the nature has nothing common with sentimental idyll of a rural life. It is the rational decision of a town-planning problem, creation of the most effective environment for work and rest. Le Corbusier architecture shouldn’t supposed that obey the landscape, and landscape – the architecture.Acropolis hill doesn’t dictate to the architecture, but Parthenon.
On the contrary Xenakis considered that the rectangular constructions are less strong, natural and too “finished”, as distinct from S-curve structures which symbolize movement, infinity. By the time of the beginning of work on the project of pavilion Philips, I.Xenakis had already at original author’s hypothesis of music realization in space and in the form; what it a new musical formula of creative synthesis. By this time “Metastasis” what written by Xenakis-one of the most well-known orchestral works of the composer, with its notorious glissando of stringed instruments. There is the drawing of the Xenakis, where is pictured a plan of the movements melodic lines in this piece: their approaching, division, consolidation, exhaustion. Evidently, that the score of “Metastasis” look likethe scheme of a metal skeleton of buildings which were projected by Xenakis: Isolation by nature (controllable interaction). Xenakis went further Corbusier and has suggested to refuse gardens at habitation designing, because this could help to protect the nature from irresponsible people invasion. The composer-architect believed that will be possible to supervise and stop mafic intrusions of people into the nature and planetary space, thanks to creation of the cities-buildings provoking the more compactness of people movements. Thus, the comfort of townsmen to be reached by possibility to breathe fresh air and to admire the nature through transparent walls, without interfering with its life. The flexible material. Light projections: Xenakis denies concrete completely, desiring as much as possible to use a space from the point of view of its economical and convenient layout, illumination, functionality. These are pellicles in space with a width of one hundred or one hundred and fifty meters, VPE and transparent, which would insure ventilation and visibility, light, etc. Designed in 1977 slide top of so represents a skeleton covered with a red elastic material. At creation of the monastery of la Tourette (1953-1960?.) Le Corbusier with help of Xenakis has embodied the idea formulated still 1922?.: “light and a shade show the form”5 having designed internal space of the main part of a monastery as a original black box.
An Ezekiel, son of the priest, he offered his hand and put it in his Service. To broaden your perception, visit Red Solo Cups. With this vehicle, the unearthly traveled to Jerusalem, as well as to the deportees on the Euphrates.(Ezekiel 1) By the Babylonian exile”introducing Angel the Judeans undergoes a transformation, strictly speaking it starts at all here. The Babylonian idea of Angel is brought by returning exiles to Jerusalem. (The Angel in the luggage”, see below) It is reflected in the later writings of the old testament. In the shape of this Keruben, angels are made to the companion of the God of the Judeans. The Kerubim (plural from Kerub) come from Mesopotamia. Two sports have adorned later the Temple in Jerusalem in an impressive size. It is reported: for the Holy of Holies, Solomon had two Kerubenfiguren from olive wood carving. Each was five metres high. Their wings measuring 2.50 meters, so that the two wings stretched out a length of five metres had. Both figures were exactly the same size and shape. Solomon had put them next to each other in the Holy of Holies. Their stretched out wings touched one another in the middle of the room and outside ranged on the side walls. These Kerubenfiguren were covered with gold. ” The Babylonian idea is projected in the back this history of Judea. At one time, ruled (10.Jahrhundert) as a King Salomo, knew the Israelites still no Babylonian Kerubim. Even more: Not only in the temple, but also on the Ark of the Covenant, the location of the mosaic stone panels, two Keruben represent the presence of God. The guardians of God are so impressive that they find a (subsequent!) excellent place themselves at the entrance to the paradise. The history of this idea leads later to our today’s Christmas Angel. The angels lead the discovery to a further change. Angel brought the notion of Angel as a successor of Prophet a more religious turn with it.
Photo works of the young artist Merle Bush thus has this exhibition also referencing character on the entire year program, which will be devoted to the regional art of Eiderstedt. In the future a platform should be offered here at the hotel especially young artists from the region. Merle Bush was born in Hamburg in 1989 and now lives in Buchholz in der Nordheide. Nature, especially the landscape to the North Sea, was always a retreat from everyday life for them. Further details can be found at Mehmet Oz, an internet resource. The love of digital photography very profane began a confirmation gift: the first camera. Meanwhile, Merle photographed Bush with a Canon 400 d. She stressed raw makes their images that she rather tries to capture the correct snippet, perspective and lighting conditions during shooting intuitively and sensibly and to keep in the picture. Its approach to the subject search describes the young artist, who incidentally wants to undergo training to the photographer after graduation, so: after I have worked in a small village in Scotland 2005 “and there started photo series have to make, I imagine myself often tasks ‘, a factor to focus on, for example the light.” “Many of the 25 exhibited photographs come from a stay as exchange student in Norway 2006/2007 supplemented these moments” through recent works, including landscapes, snippets, but also empathetic portrait studies. “Manufactured were the large-format photo works by the way in the poster shop poster in XL” (www.posterinxl.de), a service of the Agency for advertising technology connected to the Hotel Miramar. The exhibition is thus also a presentation for the diversity of modern reproduction techniques, which could also be for other photographers of interest.